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Showing posts with label TV Series Reviews. Show all posts
Showing posts with label TV Series Reviews. Show all posts

Friday, March 28, 2014

Celebrate the Small Things- The End of March

Thanks to Viklit for hosting us!
This week I'm celebrating...

Finally started writing up my A to Z posts!  I know some of you uber-organized folks have already finished writing every danged one of your 26 posts and have them scheduled to go live.  Well, I'm not that organized, so there!  *sticks tongue out in as childish a manor as possible*  Seriously though, it feels good to have started the process and if I can manage to stay at least a week ahead in scheduling then I should still be able to visit as many folks as possible (which we all know is the primary purpose, anyway).

House of Cards  After going absolutely nuts over this amazing show last year we moved on to several other fantastic series and sort-of forgot a lot of the details of season one.  When season two premiered back in February we were neck-deep in one of those other series and therefore unable to watch it.  Well, we finally switched back to House of Cards, rewatched the first season and then moved onto to season two.  That season two opener was just freakin' amazing.  There's a moment about 3/4 of the way through the ep that is so shocking it left both of us with mouths agape for several minutes as we alternated between "I can't believe that just happened!" and other exclamations.  There's just nothing that can compare with Kevin Spacey at his most evil.  So epic!

Well, I'm back to working on my A to Z posts.  Here's hoping you all have a fantastic end of March.  See you all on Tuesday!


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71.

Monday, September 30, 2013

Series Review: Breaking Bad

Warning:  As you can probably tell, this contains spoilers about how the series ends so if you haven't watched the series finale yet, DON'T READ THIS!  If you have, read on.
Ok, so I know that I'm jumping on a very, VERY large bandwagon here as just about everyone who watches television is flipping their lid about the series finale last night, but I just have to weigh in.  This show was too good, too culturally huge and way too memorable for me to not feel compelled to share my opinion on it.  So here's my take.

Vince Gilligan created this series (according to Wikipedia) with the goal of creating a story around a primary protagonist who, by the end, will become the primary antagonist.  Let me just come right out and say it:  He did it.  Boy, oh boy, did he DO IT.

At the outset of the series Walter White is downright pathetic.  He's seriously underpaid, absurdly under appreciated, mistreated by his bitchy wife and teenage son and now, to top it off, he's got terminal cancer.  In other words, he's at the very end of his rope.  It is impossible not to feel bad for him and, by proxy, not to root for him.
At the end of the series Walt is downright evil.  And I mean EVIL.  (What he says to Jesse right before he has Todd and crew take him away?!? WOW!)  He's unequivocally DESTROYED the lives of literally everyone he's dealt with.  He's purposefully, knowingly crossed every line that one can cross.  He's wreaked such havoc on the world in general that his name is on par with Don Pablo in terms of infamy.

But here's the kicker: it's still impossible not to root for him!  He's killing people by the handful, hurting the few that are still left alive and generally acting like a tornado of destruction- but you still want him to win.  He's the bad guy, no doubt about it.  But much like Tony Soprano before him, he's the bad guy you're invested in.

Unlike Tony Soprano, and I cannot possibly tell you how relieved I am by this, his story has an end.  And it's a doozy.  But before I get to the recap, let me just sum this up by saying that Walt is one of the best written (and acted) characters on television- ever.  His character arc is so rich, so deep and has such an extreme turn around that you remember him forever.  A lot of people are saying it's the greatest character arc executed on television and, as lofty of a claim as that is, I think they're right.

Ok, onto the plot: each season of this show has a theme and they play around with images, literary references and musical themes frequently.  The first season is best known for the busted-up RV that Walt and Jesse start their floundering business relationship in.  Much like Walt, it's been through the ringer.  It barely runs, threatens to permanently crap out at any moment and has a messy, very sad sack appearance.
 
But, also like White, the RV's connotation is a family-friendly one evoking memories of family vacations, funny family photos and positive memories.  In the first season Walt is a good guy trying to secure his family's future.  Even when he commits his first murder, he's doing it because he believes (with good reason) that the man will kill his entire family if he does not.  His motives are good and in a lot of ways you can kind-of understand his choices.  When he does violate his moral compass he agonizes over it and feels immense guilt for his actions.  He's no angel, certainly, but you can argue the merit of his actions.

Season Two is all about the Pink Teddy bear which we learn the source of at the end of the season. 
What the exact symbolism of the teddy bear means is debated but there are overall themes of destruction, guilt and loss of innocence.  Walt is starting to come into his own as a drug manufacturer- he's taking more risks, demanding more, pushing Jesse and others around more and making a lot of morally questionable if not seriously wrong choices.  The story that he's doing it for his family gets weaker and weaker and Walt goes deeper and deeper into the world of illegal activities and although there are moments were he seems to notice and question his decline he continues his descent at every turn.

Season Three is best represented by the Heisenberg hat, Walt's costume for when he's trying to be bad ass. 
In season three, Walt starts to take more and more negative actions in order to be in control.  He's running a professional industrial-level meth lab, making business deals with drug king-pins (mainly Gus) and declaring himself as head of the household much to the dismay of his wife who starts out the season seeking a divorce from him.  He manipulates, lies far more often then he tells the truth, plots and plans with moral abandon and his kill count starts to seriously rack up.  While he's still telling the story that what he's doing is ultimately for his family, no one other than him is buying it anymore.
There's also a sense that Walt sees that his timeline is screwed up. There is one episode where he talks about the perfect moment- the moment when he should have died.  Before his moral compass was too far gone, before his family started to hate him, before he became more criminal than desperate provider.  There's a sense of loss of the good Walt and a feeling like it's too late to go back and his actions reflect this.

Season four is all about Walt's war with Gus (who, by the way, is one of the best television characters EVER!).  I think the most memorable image, to everyone who watched it, is what ends up happening to Gus. 
This is symbolic of Gus' split personality- the dark and light, the good and the bad.  It's a parallel drawn between Walt and the two sides of his personality.  Like Gus, by the end of the season his facade as a good guy is completely blown away and what is left is ugly, shocking, and horrifying.  Walt deliberately pursues negative action after negative action in pursuit of control over the drug empire.  Again, he sells it all to himself by saying that if he doesn't kill Gus, Gus'll kill his family- but his true motives are obvious and he makes fewer and fewer efforts to hide them.  Ultimately hurting even a small child to get his way the good guy mask is off and we see his true face.

And season Five is all about the repercussions of Walt's actions.  In the season opener we see Walt looking like something you might've pulled off the bottom of your shoe, sitting alone in a diner on his birthday.  It's one of the most depressing images ever and for a second- a split second- you feel bad for him.
The rest of the season- almost from the start- is about making it impossible for you to feel bad for him.  At the outset, we see the unimaginable shit storm caused by the death of Gus- a man with connections not easily eradicated in a fire.  Walt makes quick work of trying to clean up the evidence and no one is safe from his wrath.  He shows no more remorse for the murders he performs or orders and seems completely oblivious to the fact that his actions make him a monster.  As the season goes on, the lives of the characters around him are ruined one by one- either by murder, torture, or legal action.  The relationship most demonstrative of the destruction he causes and by far the deepest, most complex and ultimately most touching relationships of the show is the one he shares with Jesse.  At the end of the series he is a shell of a man-  emptied and filled by Walt's actions.  (I could write a master's thesis on this and still have more to say.  Just- ugh!)  Absolutely no one is safe and it's not surprising that the list of people left standing at the end of this show is a very short one.

Of course the death that we're most concerned about is Walt's- because after all, that's how this all started.  But rather than seeing him die of cancer in a hospital bed surrounded by the family that he started this all for we see him alone in a meth lab of his design dying of a semi-self inflicted gun shot wound.  His family hates him, the police hunt him and his business associates are all dead, dying or traumatized for life.  And yet, there is a sense of peace in this lonely old man.  He has, in spite of everything he's destroyed, accomplished something.  And though he ended up ruining the lives of everyone he ever cared about in the process he looks upon his works in pride.  It's one of the most haunting juxtapositions I've seen and with a truly amazing series leading up to it's nothing short of miraculous.
 Source
I know that the internet is exploding with people far more eloquent and well-versed in the details of television production saying that this amounted to one of the greatest shows of all time and while I get absolutely no points for originality in this, I have to agree with them.  Seriously, if you've somehow missed this do yourself a favor and commit to watching this series. 

Sunday, June 2, 2013

Series Review: Battlestar Galactica

In addition to long walks with the puppy, seeing Into Darkness and much needed relaxation in general the big accomplishment of last weekend was finally finishing Battlestar Galactica (henceforth referred to as BSG.)  This was a big deal because it's taken us several years to get through the whole series.  Why?  Well, long story short this is not the kind of series you can just pick back up and watch any old time.  Much like a good book that requires your undivided attention we had to be invested in watching so that we could know what the hell was going on.  So it is that although we began watching... 3 years ago?  We only finished it now.  And it's entirely too important a series not to comment on.

As with a lot of my other reviews I must warn that this will contain pretty much every spoiler there is- I simply don't know how to write about it without commenting on these things, so it's just gonna happen.  As such, I must implore you that if you have not seen this series you should NOT read this because it will ruin one of the most important entries of the space opera genre for you.  Seriously.  If you have, please read on, leave your comments and let me know what you think.

Ok, so since i'm writing this review for individuals who have already seen the series i'm going to skip the synopsis since a)I suck at writing them and b) it's too damned complicated to try to sum anyway.  Instead, I will jump right into what I think:

From my vantage point, it seems the the series can be separated into 3 parts.  Part 1 comprising the miniseries and seasons 1 and 2, part 2 comprising season 3 and part 3 comprising season 4. 

Part 1- After the Fall, Civilization in Space and History
The miniseries chronicles the attack on the colonies and throws us head first into the world of cylons and humans.  We get a crash course in the history of the war, a look into how the cylons managed to so thoroughly destroy the colonies (thanks, Gaius!) and a rundown on Galactica herself.  Then season one starts right off where the miniseries left off with the fleet trying to outrun the cylons.  The miniseries and these first episodes are full of war- death, destruction, explosions, and military maneuvers.  All these high intensity scenes make you very aware of one of BSG's greatest strengths: it's got damned good CGI.  This is- by far- the best I've seen in a television series.  Movies?  No, I wouldn't say it's that good.  But for TV?  It's effing amazing.  And the sound is right up there to match.

Another thing on the production front I feel the need to point out is the music.  The creators did a great job not only at creating a fantastic score that mirrors the mood of the scenes but that song they composed for the series itself fits perfectly.  Songs win academy awards when they so perfectly fit the movie that the sound is synonymous with the movie itself (think Jaws, Jurassic Park, Godfather).  Those first few notes are synonymous in my mind with this series.  Great stuff.

Anyway, the rest of seasons one and two, while giving you plenty of backstory and plot development, are mostly stand alone episodes that show us the human race doing their best to survive a race well equipped to wipe them out.  This, to me, is the best of what space opera has to offer.  There's lots of drama, romance, death, renewal and strength and the actors on this show are really spectacular.  I have to give specific props to the fearless leaders Edward James Olmos and Mary McDonnell who show an incredible amount of range over the course of the series as well as the two female cylons Tricia Helfer (6) and Grace Park (Boomer/Athena) for playing so many different incarnations of themselves you sometimes forget it's the same actress.  They're all incredibly gifted and deserve wide acclaim for the series.

These first two seasons, on the whole, are where the series shines.  While there's plenty going on in the cylon conspiracy realm it doesn't overwhelm the individual plots of the episodes and we find ourselves carried along quite easily, blissfully wrapped up in this world, without really worrying too much about where it's all leading.

Added Bonus: The pseudo movie "The Plan" shows the first two seasons from the Cylon point of view and answers the question of why a race so advanced and capable keeps on fraking up their attempts to destroy the remaining survivors.   (Hint- it's their humanity.  Kind of a theme throughout the series...)  It really fleshes out a lot of the previously mysterious events making the first two seasons whole.  Check it out if you haven't already.

Part 2- New Caprica, The Opera House and the Cylon Revolution
Season 3, for me, is where it started to fall apart.  First off, New Caprica was a harsh wake-up for those of us who mistakenly thought that the miraculous first two seasons would continue as they were.  Not only are we thrown way into the future where things have changed so drastically (Wait- Sam and Kara are married?  The cheif and Cally had a kid?  Lee married Dualla, got fat and turned... orange?  What the frak?) that we can barely make head or tail of anything but the series itself starts to shift the way things take place.  Here they're really trying to move the cylon plot forward, most story arcs take place over several episodes and the whole thing takes on a different tone.

While the acting, score, effects and action sequences are still great they can't save the series from a convoluted plot.  Much like Lost each episode asks more questions than it answers and we're left with this building sense that there's something fundamentally important that we're missing.  It's confusing and frustrating and many episodes had me venting my frustration at the tv screen with no relief when the closing credits rolled.

Part 3- "Earth", The Final Five and The Mysterious Kara Thrace
Season 4 is where they try very very hard to end the series with dignity while answering the questions asked by the past 3 seasons.  They are not successful in this endeavor.  Yes, we get an answer to why the cylons keep saying "All of this has happened and it will happen again" in the form of "Earth" and the ending on the real Earth 150,000 years before we all started watching the show.  The final scene with 6 and Gaius walking the streets of New York with robots looking creepily advanced and that damned "All Along the Watchtower" song playing in the background is very foreboding and cool.

But the conclusion to the Opera House visions seemed, to me, like a hastily planned tableu.  Why did they have to bring Hera to the bridge, exactly?  Oh, so that all those visions could come true?  Oh, ok- except that that doesn't make any sense!  After seeing those visions in so many damned episodes I expected something a little more climatic.

And the final five themselves?  What the hell was the point there?  Oh, they each hold a piece of the resurrection formula and they're going to give it to the cylons so that they'll finally leave the humans alone?  Great, that makes sense.  Except that Galen goes Hulk halfway through the transfer and kills Tory- whoops, sorry cylons!  What?!?  And later on, when Tigh and Ellen are talking to Galen, and Tigh's like "Oh, I would've done the same thing" as if it's no big deal that they just pretty much destroyed their race?  Really?!?

And, I'm sorry cause I know I'm ranting but I can't help it, but what the FRAK happened to Kara?  She's dead, she's back, she spends the bulk of the season wondering what the hell she is and bemoaning her existence and then after using the song to help find the real Earth she just fraking vanishes?  One minute she's talking to Lee, the next she's gone.  And we never found out what the hell she was.  This made us so nuts we went back and re-watched the end with Ronald Moore's commentary and you know what he says?  He says that the actress (Katee Sackhoff) actually begged them to give her character a definitive ending and they refused because they thought it would be better to leave the audience going "huh?"  Honestly- his word: "Huh?"  Screw you, Ronald Moore!  So, so angry.

In the end the last seasons left way too many unanswered questions (Kara, what the frak the Gaius and 6 visions were, what happens to the cylons, etc, etc) for me to rate this series as highly as I would like.  I still love it, don't get me wrong.  The first two seasons are SO GOOD that I wouldn't skip it for the world.  But I'd be lying if I didn't say I think they failed to bring it all home in the end. 

That being said, the series will hold a special place in my heart right next to Star Trek (original, Next Gen, Deep Space, etc) and Star Wars (original trilogy, of course).  And given the love I hold for them that's saying a heck of a lot.